The Believers is the first published collection from A. K. Herman. The stories envelop the reader in a world where language weds culture, where the protagonist does not conform to modernity in their conduct or moral acts. There’s humanity and appalling behavior, both in violence as found in Love Story No. 8 or in the sex between the pages of the story titled Love.
The stories are set in Tobago or New York City, with some characters hailing from Trinidad. With these characters as focal perspectives, we also live their language. The first two stories, Beginning and The Believers, use the vernacular to place us in the story. At first, it’s jarring to read a line of dialogue like, “Nah, just di-exam-dem and school. And mi want to burn di light-dem wid Pastora. You still work wid her?” But as you grow accustomed to the language, it also brings you closer to the story in a way that using a more modernistic language constructs wouldn’t.
Sex was present in almost all the stories, if not overtly, then through the hormonal actions of some of the characters. All of the sex scenes were vividly done, with Love having the most evocative scenes. But none of them were over the top or too lustful and they never carried on for too long.
The stories paced well and kept the reader’s attention. Even as I struggled with the cultural language in the early stories, I came to expect it in the later ones.
The characters stood out beyond their use of Tobago slang. These were humans in all their oddities and morally ambiguous acts. In the title story, The Believers, we come to know a couple who have a beautiful daughter, of which the story becomes centered even though we never hear from her directly. Mostly we experience the tale from the father’s perspective. The pastor of his church in New York is asking for his daughter to be married to a man in their congregation. This creates a rift between the family and the church that culminates in an evocative scene at the end of the story. As the main character struggles with the burden, we see a multi-faceted approach to religion and how it drives wedges and opens doors in some cases, but asks too much in others.
There are plenty of cultural references and social issues throughout the stories, especially when it comes to class, marriage, and relationships. But none of these themes override the story to the point of exhaustion. Instead, they weave themselves naturally into the characters and their experiences, which are very human and organic.
The stories have a bit of everything: amazing dialogue, captivating descriptions of the setting and people, excellent pacing, and minus a few exceptions, good payoffs at the end of the stories. It’s a short collection, but the meat is there and the bones make these stand apart from other collections. Keep an eye on Herman, as I imagine we’ll see more from them in the future.